haidaspicciare:

Monica Vitti, "L’Eclisse" (Michelangelo Antonioni, 1962).

haidaspicciare:

Monica Vitti, "L’Eclisse" (Michelangelo Antonioni, 1962).

smash patriarchy.

(via)

"Seit vergangener Woche hat der Onlinejournalismus in Deutschland ein Symbol. Es ist greifbar, flauschig und doch keine Katze."

» Am Beispiel des Hoodies

God Is a Masturbator

Folks, sex has never been
more than a blend
of bodies doing for one
another
that which pleases
them and evolution
to do
either in desire
or in desperation
or in necessity
It serves no purpose
other than love
and life’s purpose
Sexualists
are a product of sex
We are made by sex
Sex made the Salvation Army
We are sex
There is nothing dark
about this magic
And those pangs of lust
which make you sick
Those unthinkable dreams
which fill you with doubt
-as long as wild joys emit
from an enthusiastic spirit
eat the dust! shout!
Thank God one’s thoughts
excite as much as flesh
Thank God there’s a place
in all this he and she
and he and he
and she and she
for a me and me-

(Gregory Corso)

lady crush.
pikeys:

Gender Studies, 2011 by Bettina Rheims
“Rheims body of work Gender Studies, depicts transsexuals, women that have become men, men that have become women and a third gender; those that preferred not to choose a sex and exist as both, adopting a dual identity.
The foundation of this project emerged from a request to republish Modern Lovers a body of work concentrating on androgyny and transgender shot in the late eighties. Rheims decided to take the idea a step further and explore the differences and mindsets in the world of gender today in comparison to twenty plus years ago. Launching a Facebook profile depicting a number of the original pictures, Rheims posted a message encouraging those that ’felt different’ to get in touch with the studio and from there she orchestrated Skype conversations with young volunteers from around the world who shared..
"the most beautiful stories about their lives. A lot of them knew from childhood, that they were born in the wrong body and had decided, many with the help of their parents, to correct the original mistake. But what struck me as being completely new were the ones who refused to choose between the two options, and had decided to live using both identities. Depending on the day, the mood; why not have it all? In Australia, last Autumn, someone got the mention ‘X’ on their passport, recognising for the first time the existence of a third sex - Rheims”
- Hamiltons Gallery | Artist’s Video Statement


pikeys:

Gender Studies, 2011 by Bettina Rheims
“Rheims body of work Gender Studies, depicts transsexuals, women that have become men, men that have become women and a third gender; those that preferred not to choose a sex and exist as both, adopting a dual identity.
The foundation of this project emerged from a request to republish Modern Lovers a body of work concentrating on androgyny and transgender shot in the late eighties. Rheims decided to take the idea a step further and explore the differences and mindsets in the world of gender today in comparison to twenty plus years ago. Launching a Facebook profile depicting a number of the original pictures, Rheims posted a message encouraging those that ’felt different’ to get in touch with the studio and from there she orchestrated Skype conversations with young volunteers from around the world who shared..
"the most beautiful stories about their lives. A lot of them knew from childhood, that they were born in the wrong body and had decided, many with the help of their parents, to correct the original mistake. But what struck me as being completely new were the ones who refused to choose between the two options, and had decided to live using both identities. Depending on the day, the mood; why not have it all? In Australia, last Autumn, someone got the mention ‘X’ on their passport, recognising for the first time the existence of a third sex - Rheims”
- Hamiltons Gallery | Artist’s Video Statement


pikeys:

Gender Studies, 2011 by Bettina Rheims
“Rheims body of work Gender Studies, depicts transsexuals, women that have become men, men that have become women and a third gender; those that preferred not to choose a sex and exist as both, adopting a dual identity.
The foundation of this project emerged from a request to republish Modern Lovers a body of work concentrating on androgyny and transgender shot in the late eighties. Rheims decided to take the idea a step further and explore the differences and mindsets in the world of gender today in comparison to twenty plus years ago. Launching a Facebook profile depicting a number of the original pictures, Rheims posted a message encouraging those that ’felt different’ to get in touch with the studio and from there she orchestrated Skype conversations with young volunteers from around the world who shared..
"the most beautiful stories about their lives. A lot of them knew from childhood, that they were born in the wrong body and had decided, many with the help of their parents, to correct the original mistake. But what struck me as being completely new were the ones who refused to choose between the two options, and had decided to live using both identities. Depending on the day, the mood; why not have it all? In Australia, last Autumn, someone got the mention ‘X’ on their passport, recognising for the first time the existence of a third sex - Rheims”
- Hamiltons Gallery | Artist’s Video Statement


pikeys:

Gender Studies, 2011 by Bettina Rheims
“Rheims body of work Gender Studies, depicts transsexuals, women that have become men, men that have become women and a third gender; those that preferred not to choose a sex and exist as both, adopting a dual identity.
The foundation of this project emerged from a request to republish Modern Lovers a body of work concentrating on androgyny and transgender shot in the late eighties. Rheims decided to take the idea a step further and explore the differences and mindsets in the world of gender today in comparison to twenty plus years ago. Launching a Facebook profile depicting a number of the original pictures, Rheims posted a message encouraging those that ’felt different’ to get in touch with the studio and from there she orchestrated Skype conversations with young volunteers from around the world who shared..
"the most beautiful stories about their lives. A lot of them knew from childhood, that they were born in the wrong body and had decided, many with the help of their parents, to correct the original mistake. But what struck me as being completely new were the ones who refused to choose between the two options, and had decided to live using both identities. Depending on the day, the mood; why not have it all? In Australia, last Autumn, someone got the mention ‘X’ on their passport, recognising for the first time the existence of a third sex - Rheims”
- Hamiltons Gallery | Artist’s Video Statement


pikeys:

Gender Studies, 2011 by Bettina Rheims
“Rheims body of work Gender Studies, depicts transsexuals, women that have become men, men that have become women and a third gender; those that preferred not to choose a sex and exist as both, adopting a dual identity.
The foundation of this project emerged from a request to republish Modern Lovers a body of work concentrating on androgyny and transgender shot in the late eighties. Rheims decided to take the idea a step further and explore the differences and mindsets in the world of gender today in comparison to twenty plus years ago. Launching a Facebook profile depicting a number of the original pictures, Rheims posted a message encouraging those that ’felt different’ to get in touch with the studio and from there she orchestrated Skype conversations with young volunteers from around the world who shared..
"the most beautiful stories about their lives. A lot of them knew from childhood, that they were born in the wrong body and had decided, many with the help of their parents, to correct the original mistake. But what struck me as being completely new were the ones who refused to choose between the two options, and had decided to live using both identities. Depending on the day, the mood; why not have it all? In Australia, last Autumn, someone got the mention ‘X’ on their passport, recognising for the first time the existence of a third sex - Rheims”
- Hamiltons Gallery | Artist’s Video Statement


pikeys:

Gender Studies, 2011 by Bettina Rheims
“Rheims body of work Gender Studies, depicts transsexuals, women that have become men, men that have become women and a third gender; those that preferred not to choose a sex and exist as both, adopting a dual identity.
The foundation of this project emerged from a request to republish Modern Lovers a body of work concentrating on androgyny and transgender shot in the late eighties. Rheims decided to take the idea a step further and explore the differences and mindsets in the world of gender today in comparison to twenty plus years ago. Launching a Facebook profile depicting a number of the original pictures, Rheims posted a message encouraging those that ’felt different’ to get in touch with the studio and from there she orchestrated Skype conversations with young volunteers from around the world who shared..
"the most beautiful stories about their lives. A lot of them knew from childhood, that they were born in the wrong body and had decided, many with the help of their parents, to correct the original mistake. But what struck me as being completely new were the ones who refused to choose between the two options, and had decided to live using both identities. Depending on the day, the mood; why not have it all? In Australia, last Autumn, someone got the mention ‘X’ on their passport, recognising for the first time the existence of a third sex - Rheims”
- Hamiltons Gallery | Artist’s Video Statement


pikeys:

Gender Studies, 2011 by Bettina Rheims
“Rheims body of work Gender Studies, depicts transsexuals, women that have become men, men that have become women and a third gender; those that preferred not to choose a sex and exist as both, adopting a dual identity.
The foundation of this project emerged from a request to republish Modern Lovers a body of work concentrating on androgyny and transgender shot in the late eighties. Rheims decided to take the idea a step further and explore the differences and mindsets in the world of gender today in comparison to twenty plus years ago. Launching a Facebook profile depicting a number of the original pictures, Rheims posted a message encouraging those that ’felt different’ to get in touch with the studio and from there she orchestrated Skype conversations with young volunteers from around the world who shared..
"the most beautiful stories about their lives. A lot of them knew from childhood, that they were born in the wrong body and had decided, many with the help of their parents, to correct the original mistake. But what struck me as being completely new were the ones who refused to choose between the two options, and had decided to live using both identities. Depending on the day, the mood; why not have it all? In Australia, last Autumn, someone got the mention ‘X’ on their passport, recognising for the first time the existence of a third sex - Rheims”
- Hamiltons Gallery | Artist’s Video Statement


pikeys:

Gender Studies, 2011 by Bettina Rheims
“Rheims body of work Gender Studies, depicts transsexuals, women that have become men, men that have become women and a third gender; those that preferred not to choose a sex and exist as both, adopting a dual identity.
The foundation of this project emerged from a request to republish Modern Lovers a body of work concentrating on androgyny and transgender shot in the late eighties. Rheims decided to take the idea a step further and explore the differences and mindsets in the world of gender today in comparison to twenty plus years ago. Launching a Facebook profile depicting a number of the original pictures, Rheims posted a message encouraging those that ’felt different’ to get in touch with the studio and from there she orchestrated Skype conversations with young volunteers from around the world who shared..
"the most beautiful stories about their lives. A lot of them knew from childhood, that they were born in the wrong body and had decided, many with the help of their parents, to correct the original mistake. But what struck me as being completely new were the ones who refused to choose between the two options, and had decided to live using both identities. Depending on the day, the mood; why not have it all? In Australia, last Autumn, someone got the mention ‘X’ on their passport, recognising for the first time the existence of a third sex - Rheims”
- Hamiltons Gallery | Artist’s Video Statement

pikeys:

Gender Studies, 2011 by Bettina Rheims

Rheims body of work Gender Studies, depicts transsexuals, women that have become men, men that have become women and a third gender; those that preferred not to choose a sex and exist as both, adopting a dual identity.

The foundation of this project emerged from a request to republish Modern Lovers a body of work concentrating on androgyny and transgender shot in the late eighties. Rheims decided to take the idea a step further and explore the differences and mindsets in the world of gender today in comparison to twenty plus years ago. Launching a Facebook profile depicting a number of the original pictures, Rheims posted a message encouraging those that ’felt different’ to get in touch with the studio and from there she orchestrated Skype conversations with young volunteers from around the world who shared..

"the most beautiful stories about their lives. A lot of them knew from childhood, that they were born in the wrong body and had decided, many with the help of their parents, to correct the original mistake. But what struck me as being completely new were the ones who refused to choose between the two options, and had decided to live using both identities. Depending on the day, the mood; why not have it all? In Australia, last Autumn, someone got the mention ‘X’ on their passport, recognising for the first time the existence of a third sex - Rheims”

- Hamiltons Gallery | Artist’s Video Statement

(via veryspecialporn)

»The heart is not like a box that gets filled up; it expands in size the more you love.«

(her)

invent yourself and then reinvent yourself,
don’t swim in the same slough.
invent yourself and then reinvent yourself
and
stay out of the clutches of mediocrity.


invent yourself and then reinvent yourself,
change your tone and shape so often that they can
never
categorize you.


reinvigorate yourself and
accept what is
but only on the terms that you have invented
and reinvented.


be self-taught.

and reinvent your life because you must;
it is your life and
its history
and the present
belong only to
you.

charles bukowski: no leaders, please.

"Wenn das Meer blau ist, ist es blau, wenn eine Frau hässlich ist, ist sie hässlich, und wenn ein KZ-Überlebender andere KZ-Überlebende um ihre Wiedergutmachung betrügt, muss ich ehrlich und unverschlüsselt davon erzählen – so wie ich nicht verschweigen kann, dass für mich und meine literarischen Figuren, die fast nie Deutsche sind, dieses Land jedes Jahr weniger auszuhalten ist mit seinem depressiven Tatort-Kult, seinem Kinderhass, seinem schlechten Theater, mit seinem freundlichen Pass-dich-lieber-an-Rassismus, seinen ambivalenten Weltmachtreden und dem allgegenwärtigen Gesicht Hitlers, das man jeden Abend, aber wirklich jeden Abend irgendwo im Fernsehen sieht, und wer glaubt, das wäre Zufall, hat keine Ahnung von den Widersprüchen der deutschen Volkspsychologie. Hier, wo der Gemeinschaftswille alles bedeutet und das exzentrische Ich unter dauerndem Pathologieverdacht steht, hier, wo dieselbe stumme, repressive und aggressive Stille herrscht wie in Michael Hanekes Jahrhundertfilm Das weiße Band, ist längst wieder wie zu Kaisers Zeiten jeder Gedanke eine Uniform, jeder Satz klingt wie der andere, und etwas, was seit der Abwesenheit der Juden den Namen Diskurs ohnehin nicht wirklich verdient, regt sich nur, wenn jemand diese große Koalition der sich gegenseitig belauernden Hausmeister, Sozialarbeiter und Blogger attackiert – also fast nie – oder wenn einer der Heuchler von den anderen Heuchlern mit einem Schweizer Konto erwischt wird.”

Maxim Biller über die Langeweile deutscher Gegenwartsliteratur